Are we good?

I have to check it.

I have it.

It's real.

Money first!

He says, "Money first."

What did I miss?

Iggy!

Who in the hell are you?

Weasel, don't! I...

My friend, Marco, here,
made a silly mistake

and sold you something
that belongs to me.

Now I'm afraid I'm gonna
have to take it back.

Get out.

Easy.

Why's he keep clicking
that pen, man?

Shoot him!

Robbery?

Doesn't look like
the register's been touched.

Smells like somebody
had a barbecue.

Somebody did.

What the hell happened
to your friend?

I thought we had two bodies.

We do.

Ruby!

Hello, Peaches.

Nice homicides.

Only the best
for you, Ruby.

Who's our friend? The owner?

Uh, manager...
Jake Squillo.

Owner's a guy named Karl Kreutzfeld.
Not present.

Ruber, do you got
a cause of death?

Funny you should ask me
that, because no.

How about burnt to a crisp?

How about not?
Look at... the clothes.

They should have lit up first.

What, they torched him,
then they dressed him?

Electrocuted, maybe.

What about our superhero,

Marco Cordova?
Customer, apparently.

Neck's broken, like he was
shot out of a cannon.

This doesn't make any sense.

You guys might want to call the cops.

I mean, thrown
against the wall, okay.

But this?

Got a possible witness.

Ignacio Loca.

Punched in, never punched out.

Oh, geez.

You know him, Joe?

Yeah. He's a sweet kid,
but he's got a nightmare family.

Let's pick him up.

Mr. Montague, I got to go
to work in the morning.

I'd kind of like to get
some sleep tonight, some...

Maybe you should have
thought about that

before you lost the key.

We gotta find that kid.

Make a left.

Kathy and me are going up
to the lake this weekend.

You and Anna
can come if you want.

You don't have to invite us
every time you go up there, Lou.

Are you kidding?
Kathy loves that kid.

What'd your lawyer say?

Oh, Vanessa might have a case.

You're Anna's father.
You stuck around.

You're not gonna
lose that kid.

Wait, wait, wait.
Stop, stop, stop.

That's Iggy.

Iggy!

Stop!

Iggy!

Iggy, open up!

Hang on.

Where is he?

He's gone.

I want that cop's name.

Can I be done?

- Okey-doke.
- Thank you.

Hey, hey, hey, hey.
Dishes, missy.

How was school today?

Willy Frasier brought in
a huge earthworm.

- Yeah?
- I touched it.

- Disgusting.
- Yeah.

Come here.

Let me see your hand.

- Oh, I can still feel the slime!
- No, you can't.

I can!

Miller.

We just picked up Iggy
at his mom's.

- Better get in here, Joe.
- I'll be right there.

- Hi, Lee.
- Hi, Anna, baby.

You got Iggy?

You need the interview room?

No, my office.

You mind?

You swore to me
I'd never see you in here.

You swore.

Look at me
when I'm talking to you.

Two men got burnt to death.

Tell me what happened.

- I can't.
- You can't.

Your old man would have killed you

if your Mom hadn't
killed him first.

I convinced the D.A.
It was self-defense.

I lied for you.

If I tell you, my mom's dead.

I'll protect her. I promise.

But, Detective Joe,
who's gonna protect you?

Nice watch.

Can I use the bathroom?

No.

I feel like I'm gonna puke.

I'll bet you do.

What's this?

You have an apartment.
What's with the motel key?

You don't know what motel
you're staying in?

It's not a real place.

- What?
- I'm gonna puke.

I'm gonna go
to the bathroom.

Sit down! Sit down!

You're not going anywhere

until you tell me
what's going on.

Now what is going on?

Just tell me what happened?

How'd he burn him?

Three dudes came in.

I've never seen them before.

The main guy,
they called him The Weasel.

How did he burn him?

How did he burn him,
Iggy? Tell me.

Iggy!

Got the phone records.

Our fried guy called his boss

just before he got killed.

His boss?

The guy who owns the pawn shop,
Karl Kreutzfeld.

Wow!

That's so awesome!

Happy Birthday, Isaac!

Time for cake and ice cream!

Mr. Kreutzfeld, did you make
all this money in a pawn shop?

Oh, God, no.

No, I own a chain of dry cleaners.

I admit, it's ridiculous
how much people pay

to have their clothes
washed without water.

The, uh, pawn shop
was my grandfather's.

Was...

Now it's mine.

It was his life, actually.

He loved things.

"Show me your things,
and I'll tell you your life story,"

something like that.

Please understand, I've never had

an employee killed
on the job before.

This is very disturbing,
to say the least.

Jake Squillo called you
just before the time of the murders.

He wanted to know
about closing up early.

Business was slow,
which was not unusual.

What about your other employee,
Ignocio Loca?

Make a wish, Isaac.

Did he mention anything
about a key?

A key?

No, he didn't say
anything about a key.

I'm sorry
I'm so distracted today.

If there's anything else
I can do to help,

please call me.

I sincerely hope you catch
this son of a bitch.

Thank you.

I don't care about the money.
I just want to get rid of it.

I'm in the parking lot.
Hello?

Jennifer?

I've got it. I'm here.

Where are you?

Hello, Jennifer?

So what do you want
to watch tonight?

Nemo.

Again? Come on.

How about
Abbott and Costello?

Nemo.

Abbott and Costello
Meet Frankenstein?

Come on, it's got Frankenstein.

Stay there.

Anna, go to your room now!

Iggy.

I'm sorry, Detective Joe.

Hang in there, all right?

This is Detective Joe Miller.
I need an ambulance here.

I've got a kid bleeding to death.

I'm sorry.
There's no one else.

They double-crossed me.

I'm sorry.

Lets you...

It opens... every door.

It opens every... door.

What are you talking about?

It opens every door.

Hey, guys.

- Hey.
- Hi.

You want to sleep
at our place tonight?

Uh, no, we're all right.

There's something I want to talk to you about.

Whoa, Whoa...

Hey, sweetie.

No, they're gonna
stay here tonight.

Yeah.

My God.

Hi.

Take me home.

Dad?

What's in there?

It's just a dream, sweetheart.

You see?

Back to bed.

1968, burn victim.

Unsolved.

He swallowed a motel key?

Pawn shop victim.

The entry wounds are the same.

I'm sorry.

- It's me.
- Are you coming to bed, Martin?

Eventually, sweetie.

Can you make animal pancakes?

Can I make animal pancakes?

What kind of animal
pancakes you want?

Elephant.

I don't know how to make an elephant,
but how about a mouse?

Elephant.

All right.

One elephant pancake coming up.

Yeah. Hey, Lou.

She's a little spooked,
but she seems like she's doing all right.

We have another
court date tomorrow,

but right now I'm making
elephant pancakes.

Everything's pretty normal.

Hey, Anna, check this out.

Stuff keeps disappearing
in the room.

What room?

The magic room.

Okay.

Pick one.

You know, I don't think
we should be doing this.

Just pick a stuffed animal.

All right.

Not Lester Boneyfish!

Okay.

- Okay? This one.
- All right.

This one? You sure?

- Yeah, I'm sure.
- All right.

Now watch.

Wow.

Hey, Anna!
Anna, get back here!

Anna, what are you doing?
Come on, get out of there.

- Okay.
- Okay. Experiment over.

Okay?

That's it.

Open it.

Come on. That's it, okay?

Game over, okay?

Oh, Dad.

Listen. Listen to me. All right?

I need you to make me a promise, all right?

Not to tell anyone about the room or the key

- or anything else, all right?
- Okay.

Promise me.

I promise.

Good morning.

Geez, Joe, you scared
the hell out of me.

How'd you, uh...

I know how Ignacio did it.

Get dressed.

What if it resets
while we're in there?

I think so long as we have
the key, we're safe.

Got water and electricity.

Huh.

We can go anywhere?

Anywhere with a door, I think.

Penn State's playing.

Hey.

According to the money transfer,

someone tried to buy this key
for 2 million bucks.

I'd pay 3.

Well, we can't keep it.

Three people are dead
because of it.

Let's go!

But let's enjoy it now
While we can, okay?

Who knows if we're gonna
get another chance like this?

Yeah.

Hey, Bridgewater.

Ah, direct from Cuba,
but you didn't get it from me.

Keep it. I don't smoke
those stinky things.

Me, neither. I just
like giving them away.

Got a visitor.

Jennifer Loca, Iggy's sister.

I'm sorry
about your brother.

Half-brother.

Thanks.

Were you and Ignacio close?

I left home early.

I always thought we'd be
closer when he got older,

but I guess not.

My mother asked me to come down
for any outstanding paperwork.

I'm pretty sure
it's all taken care of,

unless you want to sign
for his personal effects.

So Jennifer Loca.

Is something wrong?

Iggy didn't have a sister.

You took it, didn't you?

Tell me what it is.

I'm responsible
for that key.

- Give it to me.
- Who are you?

- Let me go.
- Not until you tell me.

Let me show you.

Hey, Joe.

Joe!

You okay?
What's wrong?

She knows.

Who?

Miller has the key.

Do I have to get a shot?

No, it's not that kind of doctor.

They just want to ask
you some questions

about what it's like
to live here and stuff.

Do I have to go?

Yeah, you do.

These people
just want to make sure

that we're doing good,
and we are, right?

Yeah, except for you not
letting me stay up late.

Well, you make sure
and tell Dr. Gelman that.

- Okay.
- All right.

Anna Miller?

You ready?

Yeah.

Okay, have fun.
Tell the truth.

Okay, yeah, I will.

- Come on.
- Bye.

Do you know how long
this is gonna be?

- We have a court thing at 5:00.
- It'll be a couple of hours.

If you'd like, there's a coffee shop
across the street

- from the hospital.
- Thank you.

I'm through eating this mush.
I'm getting some real food.

No, Mr. Jabrowski,
get back here!

Get your hands off me!

For your crimes against decency
and politeness and common courtesy,

I condemn you to hell!

Hey!

Where am I, man?

I don't know.

Oh, man!

Hospital.

Wait. Don't...

do that.

Oh! Oh, God!

Why won't you stay gone?

So you're the new motel guy?

Tell me about the bus ticket.

Why?

You want it back or not?

- What's your name?
- Wally.

Wally,

I'm Detective Joe Miller.

A cop. Interesting angle.

What were you
in the hospital for?

Hemorrhoids.

Laser surgery.

What's it to you, Detective?

Oh, my daughter's here
for a psych evaluation.

Her mother's suing for custody
after three years,

and she'll probably win.
Thanks for asking.

Oh. Sorry.

I mean... sorry.

You forget
to be human sometimes.

Can I get you anything else?

Thank you.

It's on me.

Can I have a Greek omelet?
Actually, two?

I blew the last of my money
on the surgery.

Put it away.

What is it?

- It's a joke?
- No.

I don't know what it is.

Nice talking to you.

Okay. Okay.

It's an object.

Yeah?

One of many.

Okay. Where do they come from?

From the motel room.

All the objects
come from the motel room.

You've been there.
You used the key, right?

You really don't know
what I'm talking about?

Holy crap. It's amateur hour.

This guy's got the key.
He doesn't even know what it is.

How many objects are there?

All right.

All right.
I'll... I'll... All right.

There's a lot of 'em...
about a hundred at least.

Nobody really knows for sure.

A hundred?

- And do they all...
- They do weird stuff.

Some are useful, some aren't.

Used to know a guy
who had the pencil.

You know what the pencil does?
Makes pennies.

Tap it on the table, a penny falls out.

That's it.

Guy made 500 bucks a day
tapping a damn pencil noon to night.

Six months of that,
tapped his brains out.

Then there's the umbrella.

Makes people think
they know you.

Particularly helpful if you're shy.

Last guy who had it moved to Seattle
to be less conspicuous.

But other objects...
say, the key, for example?

Highly useful.

What about the bus ticket?

Not that useful,

unless you want to get
to a little spot

outside Gallup, New Mexico,
in a jiffy, which I don't.

Why Gallup?

Why not?

What happened
in that motel room?

Wally.

Something terrible.

Look, Detective Miller,

do you ever feel

that there's something
wrong with the universe?

Yeah, sure.

Well, you're right.

Things like this
shouldn't happen.

But in that motel room, they did.

Nobody really knows
what happened,

but everybody's got a theory.

Some people think
that God died,

and that all these objects,

they're little pieces of His corpse.

Some people say that's crap.

They think that some part
of the universe broke down,

and it's just physics gone haywire,

and other people think
that God is alive

and this is some kind of test,

and they're all out trying
to collect all the objects,

like pilgrims looking for relics
during the Middle Ages.

And what do you think, Wally?

Who gives two squirts?

All that matters is the price.

That's what nobody gets.

There's always a price to pay
for using the objects.

Whether you know it or not,
there's always a price.

What price did you pay?

I'm not the one
you should be worried about.

See, objects attract
one another like magnets.

You think we ran
into each other by accident?

Every time you use that key,
it's like alarms going off.

People are coming for you,
Joe... bad people.

They're crawling
out of the woodwork.

They don't even know
who you are,

but they're already looking for you,

probably emptying
your underwear drawer right now

looking for that thing.

And I think you understand me

When I say that they
won't mind killing you

or killing your family
to get their hands on it.

Anna.

Hi.

Anna Miller?

Anna Miller, is she
still with the doctor?

Where's the other receptionist?
Anna Miller!

I'm sorry, sir. She already left.

Left? What do you mean, she left?

With her father.

Miller.

I think you have something of mine,
Detective Miller.

Who is this?

I know I have something of yours.

Care to trade?

Come on, pick up.

Lou, it's me. They got Anna.

She's at a rail station off of Route 8. Call me.

Lose the doors.

Burn them.

Daddy!

Hey, Joe.

Were my directions okay?

What does the gun do?

It shoots bullets really fast.

It's gonna be okay.

Do you know what the pen
can do, Detective Miller?

It can cook your daughter
like a microwave.

Here.

Let me show you.

Stop.

Smart man, your father.

I'll give you the key.

You'll give me my daughter back,

and then you'll leave, understand?

Of course.

Grab him!

You killed my...

Yeah, your brother!

Ow!

Gimme!

No! Daddy!

Anna!

Daddy!

No!

You reset the room!
You lost her!

I didn't mean to!

You can bring her back!
She's not dead!

There's an object
that can bring her back!

I can take you to it.

Oh, God, Anna.

Subtitled By J.R. Media Services, Inc.
Burbank, CA

You know what this Iooks Iike?

He's in the middIe
of a custody battIe.

His ex said he missed
their court appointment,

and now he
and Anna are gone.

Joe wouIdn't run.

Then where did that IittIe girI go?

We've got bIood,
Iadies and gentIemen.

Come on, Joe, answer.

- Destefano.
- Yeah, it's me.

Oh, my God, you're okay.

Is Anna with you?

No, she's gone.

Where is she?

She went into the room.

She went into the room
and she's gone.

Joe, you need to come home.

We'lI figure this thing out.

They're aIready thinking the worst.

They found bIood on a door.

What about the body?
There was a burned body.

We didn't find a body.

They just wanna know
what happened to Anna.

WeII, she's aIive, Lou.

Listen, I need you to do
a background check for me

on a guy that Iggy
caIIed The WeaseI.

Joe?

I gotta go.

HeIIo?

Oh, Jeez.

Where'd you come from?

What?

Where were you
two minutes ago?

Texas.

Let this be a Iesson
to you aII, cowboy,

that no man shaII judge,
tease, or criticize another man.

You can't be mean.
You shouIdn't be mean.

Being me--

- WaIIy.
- Oh, hi.

I suppose it's possibIe.

There's a chance--

a very smaII chance--

WeII--

sometimes...

when you start getting
objects together...

weird things happen,

new things,

new properties
totaIIy unpredictabIe.

Take the watch.
UseIess, right?

- The watch?
- Wrist watch.

It cooks eggs.
Nothing eIse, just eggs.

Put an egg in the middIe,
hard boiIs it.

I don't know how somebody
figured that out, but they did.

Anyway, nobody used to care
much about the watch,

untiI one day
somebody found out

that if you put the watch
and the knife together,

you get a kind of teIepathy.

So you're saying that if I find
the right object and I use it with the key--

I don't know.
Joe, it's a miIIion to one.

I'lI take it.

Whatever you do,
don't Iose the key.

If you Iose it,
you'lI never get her back.

Cop's kid vanished.

Him, too.

It's not right.

We need to find the key
before The WeaseI.

Before.

Lou.

I got sampIe of Anna's bIood
from the hospitaI,

and I ran it against what
we found in the storage room.

It's a match.

Do you think you can Iose
our report for a IittIe whiIe?

Lou...

- Thanks, Marty.
- Yeah.

Ignacio's personaI effects?

Yeah.

What?

Dr. Ruber, I compiIed
aII the death certificates

for the burn victims
Iike you asked.

Yeah?

But I ran into troubIe
on one of them.

What's the probIem?

A burn case from '93.
He's stiII aIive.

His name is MiIton Vrang.

Is this a trick?

No, not at aII.

Whenever I taIk about it,
they up my meds.

You're safe.

You can teII me anything.

I'lI teII you what I used to beIieve.

Not what I beIieve now,
because now I'm heaIthy.

What I used to beIieve is that
there were these things

spread throughout the worId

that Iooked Iike ordinary things,
but weren't .

But if you couId find
aII these things,

they wouId Iead a path,

and you couId know
the mind of God.

I used to beIieve
I beIonged to a cabaI,

a group that was
dedicated to coIIecting

aII the objects
for this hoIy purpose.

But some of the objects...

are fuII of hoIy fire.

You--you see,
when I was...

when I was touched
with the pen...

It burned. It burned.

- A pen?
- Yes.

A baIIpoint pen?

Did they--did they
send you to kiII me?

- Who?
- The Order.

No.

Mr. Vrang,

I need you to teII me
everything you know, pIease.

PIease.

TeII me about the key.

What the heII?

It took you Iong enough, Detective.

Make sure you get aII of them.

One of these radios
is an object.

I'm trying to figure out
which one.

By smashing it?

You can't break an object.

Haven't you Iearned anything yet?

I guess that's the one.

It's supposed to make you
three inches taIIer

if you tune it
to the right station.

Fascinating.

So who are you?

Jennifer BIoom.

One of the dead men
in the pawn shop,

Marco Cordova,
I knew him.

He was my second.

My partner...
former partner.

Went rogue about
six months ago.

He took the key.

Joe...

If I wanted,
I couId have kiIIed you

the moment you waIked
in here, but I didn't .

That's not what we're about.

RuIe number one,
we don't kiII...ever.

And who's we?

We're caIIed The Legion.

We're trying to get rid
of the objects for good,

aII of them.

We track the owners,
make contact,

ask them to give us
their objects, join our cause.

Does that ever work?

I've had peopIe beg me.

TeII me...

since you've found the key,

has your Iife gotten
better or worse?

My daughter went
into the room.

And I need the key
to bring her back.

The Legion can heIp you.

Let us.

How are you going
to heIp me?

Join and I'lI teII you everything.

Right.

Joe, wait.

Leave it.

I think I'lI skip naptime today.

We need you, Joe,
and you need us.

Hi. I'm a friend
of MiIton Vrang's ,

and I'm caIIing about
The Order of the Reunification.

I didn't order anything.

The number you have diaIed
has been disconnected.

- HeIIo?
- HeIIo.

I'm a friend of MiIton Vrang's .

I'm caIIing about
The Order of the Reunification.

The Order?

Yes, the new reIigion.

Is that him?

Yeah, that's him.

I shouIdn't even be here.

I'm just gonna
make you a target.

Enough with that.

We're in this thing together,
aII the way, aII right?

Whatever the heII this thing is.

Partners.

What's his name?

Howard Montague.

- Yeah.
- The WeaseI.

Howard Montague.

We'lI open an investigation
and make it officiaI.

Come on,
what wouId we even say?

We don't say anything.
We just show them the key.

I can't risk Iosing it.

The key's my onIy shot
at bringing Anna back.

WeII, at Ieast make a statement
and cIear your name.

We'lI Iook for Anna together.

Let me heIp you.

Yeah, sure, Lou.

AII right.

Now, we've gotta taIk to Lee.

She's smart.
She won't fIip out.

At Ieast I don't
think she wiII, do you?

Now you know kiIIing me
won't bring your IittIe Anna back.

Then you better
teII me what wiII.

May I remind you
you're an officer of the Iaw?

Say that again.

Say that again!

If you Iie to me,
you're dead, understand?

Is there an object
that can bring her back?

In concert with the key, yes.

What is it?

- TeII me!
- Not unIess you Iet me go.

No deaIs.

Listen, you ever want
to see your kid again,

you wiII deaI with me.

I get you the object,
you give me the key.

That's the deaI.

When I get my daughter back,
I'lI give you the key.

When she's safe.

DeaI.

Give me the pen.

It's mine.

I don't want you
sticking it in my ribs

the next time I turn around.

Now reach into your pocket.

Drop it.

What eIse you got?

Underpants, too, Montague.

This is idiotic.
My underwear is not an object.

WeII, then I'm sure
you won't miss them.

I hope you're
proud of yourseIf.

Are any of those things
the object I'm Iooking for?

No. Don't be stupid.

Good.

Whoa. Whoa, whoa.

That's , that's my---

The pen.
It's stiII there.

And it moved.

The object survived
the reset.

Maybe that's where
it's supposed to go.

You reaIIy read this stuff?

I used to teach it before
I was unjustIy terminated.

Come here, Iook.
My masterpiece.

It's a map
of aII of the objects,

their reIationship
to one another.

You see?

Over here's the key.

PivotaI object, very powerfuI.

What's this?

Oh, the prime object,

the one that connects everything.

They say that the prime object
controIs aII of the other objects.

And it wiII bring
my daughter back?

If you use it
with the key, yes.

What is it?

The cIock.

Are you sure KreutzfeId
has the cIock?

Oh, yeah.

He's an object coIIector.

He uses the pawn shops
to comb for objects.

Keeps everything up
on the third fIoor,

but security is tight.

Why does he need
so much protection?

Maybe he's afraid someone's
gonna try to steaI the cIock.

Thank you.
Just keep the change.

Stop making phone caIIs
if you want to Iive.

- I have questions.
- Bring us an object.

You'lI get answers.

KreutzfeId converted this pIace

to be the most anti-key house
you couId ever think of.

See? He buiIt a permit in '96.

Yeah, the front door
is a sIiding door.

No pin tumbIer Iock.
The key won't work.

Every door in this house sIides,
even the cIosets.

You can't get inside
with a key.

This area here is buIIet-proof gIass,
three Iayers thick.

You see these doors?
They aII have eIectronic Iocks.

You need a pass card
to get through them.

So once the aIarm system
is triggered--

You're seaIed in, sitting ducks.

You reaIize now
why I've never attempted this.

Let's check the originaI pIans
against these revised pIans.

Where did this door go?

There were two doors
going into to this room,

and now there's onIy one.

There's a waII.

- He got rid of that.
- Yes.

Made it more
secure that way.

I know how we're getting in.

He's got Iots of guards.

You're gonna have
to shoot them aII.

How many buIIets
do you have?

If I shoot anybody,
it's gonna be you.

That's not very coIIaborative.

What's the most powerfuI object
you can think of?

The key.

No, I mean dangerous,
Iike a weapon.

The eye.
The gIass eye.

Nobody's seen it in years.
You'lI never find it.

What does the eye do?

WeII...

to teII you the truth...

- Shut up.
- AII right.

Get a message to your boss.

TeII KreutzfeId I have
a present for him, The WeaseI.

I wanna make a trade.

Meet me out front,
and don't try anything funny.

I have the eye.

You son of a...

- WiII you shut up?
- I was trying to heIp you!

I'm not gonna give you
over to KreutzfeId.

- I'm just trying to cIear the house.
- CIear the house?

How are we supposed
to get in there now?

With the key.

There are no viabIe doors
in that house.

There's one.

CIose the door.

It's our onIy way out.

We're never gonna make it
back downstairs.

Now cIose it.

I want the entire
buiIding secured.

Protect the upstairs.

Back to bed, kiddo.

Okay?

Easy.

Hands out to your sides.

Get his access card.

What's the code?

What's the code?

Stay.

Anthony, have you
secured upstairs?

Anthony?

They're upstairs.

Dormant objects.

Their properties haven't
been discovered yet.

Where's the cIock?

You didn't think he'd Ieave it
out in the open, did you?

Hand me the axe.

What?

You can't --you can't expect
to open a safe with an axe.

The door!

It's stiII here?

Sometimes they buiId over 'em.

Sometimes?

- Open it!
- I can't .

Break it down.

- It's buIIet proof.
- Break it down.

Look out, Iook out!

Hurry up!

Joe, we've got a probIem.

There's no knob.
There's no Iock.

We can't use the key.

Come on!

What the heII you doing?

Check the bag.

A door knob?

This is your pIan, huh?
You're remodeIing.

PIug it in.

CouIdn't get a cordIess, huh?

- Shut up and pIug it in.
- Right.

KiII the power in the study.

Uh-oh.

Get that Iight over here.

Is that knob gonna work?

I mean, does that count?

Now the next one!

Hurry it up!

Come on!

- Light. I need Iight.
- Right!

Come on!
Come on! Come on!

Come on!

Oh, my God.

Not without the cIock!

Come on!

Hurry up.

Don't stop! Come on!

Detective MiIIer,
there are events in motion

that are far greater
than you couId understand,

I wiII heIp you.

I wiII get you
anything you want,

but I must have that key.

Get 'em!

Look out.

I used to know a safecracker.

It's possibIe I couId
Iook him--

There it is.

There it is.

Now what do I do?

To bring my daughter back,
what do I do?

Open it?

You better know what the heII
you're taIking about.

PIease bring
my daughter back.

PIease, bring
my daughter back.

This can't be.
It's impossibIe.

It's the prime object.
It's the cIock!

It has to be!
I'm right. I'm aIways right.

Look, we had a deaI.

I get you that cIock,
you give me the key.

When my daughter is safe!

It doesn't work in the room.

No, no, no!

Umm...heIIo?

We'lI bring you in.
We'lI show them the key.

We'lI bIow the whoIe thing wide open.

There won't be a case
against you after this.

And then we'lI get Anna back,

whatever it takes, I promise.

Destefano.

Hi, Lou, it's Martin.

Ruby!

What sweet wind bIows
in my direction?

I need to see you and Joe MiIIer.

It's important.

It's about the key.

This isn't just a random
coIIection of things.

There is something going on.

Some peopIe think
that these things are a way

to communicate with God.

Some say the objects are God.

Come on.

I am not saying I beIieve that.

I don't know what I beIieve.

It's just...

Can I see the key...pIease?

I just have to know if it's reaI.

I've been waiting aII my Iife...

for something.

It's this.

We can't teII anyone.

Rube, we got to cIear Joe.

They'lI put him away
for kidnapping or worse, murder.

We have to show them the key.

I've got to save
my daughter, Ruber.

And Lou's right,
I can't do it aIone.

I don't have
any other choice.

Your daughter is gone.

And I'm so sorry for you.

But you can't bring her back.

We have to keep the key
to ourseIves.

We have to use this.

I've made my decision.

Martin.

Give me the key, Joe.

Hey, Rube!
Come on, this is crazy.

Whose side are you on?

My side.

Lou!

Don't make me shoot you, Joe!

Give me the key, Joe.

Okay.

Just take it easy.

You want the key, Ruber?

Oh, my God.

HeIen, wait!

HeIen?

It's okay.
It's okay. It's okay.

Homicide.
Can I heIp you?

Yes, I need
to report a murder.

Detective Joe MiIIer...

just shot Lou Destefano,
his partner.